Showing posts with label other people's art. Show all posts
Showing posts with label other people's art. Show all posts

Thursday, March 17, 2011

An Artist's Life: Marina Abramovic's Manifesto


AN ARTIST’S CONDUCT OF HIS LIFE
An artist should not lie to himself or to others
An artist should not steal ideas from the other artist
An artist should not compromise for themselves or in regard to the art market
An artist should not kill another human being
An artist should not make themselves into an idol
An artist should not make themselves into an idol
An artist should not make themselves into an idol
AN ARTIST’S RELATION TO HIS LOVE LIFE
An artist should avoid falling in love with another artist
An artist should avoid falling in love with another artist
An artist should avoid falling in love with another artist
AN ARTIST’S RELATION TO EROTIC
An artist should develop an erotic point of view on the world
An artist should be erotic
An artist should be erotic
An artist should be erotic
AN ARTISTS RELATION TO SUFFERING
An artist should suffer
From the suffering comes the best work
Suffering brings transformation
Through the suffering an artist transcends [???] the spirit
AN ARTIST’S RELATION TO DEPRESSION
An artist should not be depressed
Depression is a disease and should be cured
Depression is not productive for an artist
Depression is not productive for an artist
Depression is not productive for an artist 

Friday, March 4, 2011

Ann Liv Young and pushing it



From blip.tv: On stage, Ann Liv Young has rolled around in her dog’s ashes, had sex with her co-stars, covered herself in blood, drank urine and attacked a PETA activist. Off stage, she has given the audience lap dances and ridiculed her own cast for fucking up during a performance.
As a graduate of the prestigious Hollins University dance program, as well as a former resident of the FUSED program in France and the Laban Centre in London, Ann Liv’s work has been presented at some of the most notable venues and festivals around America and Europe. Her shows, which she writes, performs, costume designs, stage designs and produces herself, are over-the-top performances that genre-bend elements of music video, porn, and fine art that really do go there.
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I found this interview to be interesting and relatable. In it, she talks about blending the real and the unreal, and how she doesn't start out thinking about the best ways to make the audience the most uncomfortable  (though she does admit that it may be a subconscious influence). She also talks about having fun with people's low shock thresholds; once you realize how easy it is to shock people, a little mischievousness kicks in.

I have been holding back on executing some of my more explicit work while in school, mainly because (based on precedent) SCAD administration would likely either censor it or expel me. Rationally, my immediate priority is in getting that piece of paper. The ideas don't go away. Whether I execute a work now or a year from now doesn't dilute its validity for me. However, the thought that my own art school—that openly promotes innovation in all areas—would stifle creativity in its students is kind of sickening. While I don't regret transferring to SCAD—since anywhere you go you get out what you put in, and had I not moved to Atlanta from NYC I wouldn't have pursued fine art—I do feel I've been sold a lot of empty promises. The University For Creative Careers. Maybe they should think about changing it to The University For Commercial Careers. 

Wonton idealism is a wonderful thing, but I have grander plans than sticking it to a little southern art school. That being said, I've been itching to do just that

Wednesday, March 2, 2011

Gyun Hur Installation at Lenox Square


Spent the day assisting Gyun Hur install the Flux Projects-funded Spring Hiatus at Lenox Square Mall. Lots and lots and lots of shredded silk flowers in very straight lines. Since there's no glue holding them down it required an obscene amount of control and an obsessive attention to detail. It was quite fun.

Thankfully, I had my own tweezers for plucking out strays from the wrong line. I also tried to help find a way to compensate for the slope in the floor that was causing the lines to very slightly bow in a certain area. Also thankfully I had a laser level in my car. Battery was pretty much dead though, so it wasn't very illuminating.

It's so weird that I had my own tweezers and laser level isn't it? Not really. After the Lenox install I was headed to install my own Blood Brother's paraphernalia for the performance the next day. Good tweezers are very handy for installing vinyl lettering. More on the Blood Brothers performance to come.

A video by Flux about Gyun's work is below:

Flux Film 007 | Hur from Proper Medium on Vimeo.